Hi, I'm Roger Biebert, and I am here today to review Floberg Runs' "The 2024 Boston Marathon BREAKDOWN". Let's get into it...
A funny thing might happen to you while watching this video. Its story, of a videographer analyzing himself, an almost self described legendary and legendarily anti-reclusive hobby marathoner as he attempts to conquer the Boston Marathon, may prove sufficiently compelling that you’ll believe you’re watching an important documentary. That would be quite an achievement for any dramatic film, but in this case it would be even more so. Because “The 2024 Boston Marathon BREAKDOWN” directed by Eric Floberg, adapting a story completed by a million others previously, is a youtube video.
The video’s art direction isn’t all that elaborate, and the cinematography, while solid and realistic, doesn’t present as all that value-added. And although almost all the video’s characters are midwestern or British, the dialogue is in hobby jogger. (With English subtitles of course, if you choose that option on youtube) But the video’s narrative, its steady-rolling conviction, and its insights into the minds of obsessive hobby runners, give it a remarkable pull.
The tale is narrated by Eric Floberg, a videographer who’s in love with his performances. In the corral, he’s approached by a strange man with a small camera. A camera which may have been used on a long-ago attempts to run marathons or video elite runners.
Floberg dismisses the strange man but regrets it almost immediately. The strange man then seems to have disappeared from the video after establishing his own legendary status.
So the video sets up a potential nesting-egg narrative, but that’s not what the movie delivers—the 2024 Boston Marathon is not the main concern of "BREAKDOWN”. Floberg's pursuit of his own happy ego is, and it pays off. After recounting various feats of irrational daring undertaken while running, the videographer implies to the audience and to the strange man, that his achievements—if they are indeed achieved—will mean less if there’s no chronicle of them. This is in direct contrast to some of the words spoken to the audience. A technique not unlike Kubrick used by introducing the mickey mouse song in Full Metal Jacket, sung by soldiers trekking across a war torn battle field.
Does the strange man give in because he buys Floberg's pitch? Do we? Long years have taught Floberg what he may have sensed all along: that the doing is not enough. Telling and showing everyone about it is when he “feels most alive,” and then it's enough.
Floberg, who of course has some experience in marathons, finds himself tested as he’s never been. Among other things, he learns that threshold pace is a red condition rather than an ice-blue one. It’s in the running shots when the video is at its most imaginative, creating effects both exhilarating and harrowing. Does it warrant the video's run time in an industry saturated with Boston Marathon race reviews? It does if you are in love with Floberg as much as this director is.
2.5 out of 4 stars