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oldieguy wrote:
So for, I don't know 80 years, parents of every race and color (pick as many as you like from your intersectional menu) have gleefully read Dr. Seuss books to their children who have loved the characters the poetry and the art. Then suddenly, in the age of woke, someone starts counting colors of characters and re-interprets passages as racially insensitive and suddenly 80 years of enjoyment and learning become inappropriate or require trigger warnings. Spare me the "White Experience" BS. Go try and figure out how to ban the Flintstones..now there's a challenge.
Whoa. You are really--almost frighteningly--passionate about Dr. Seuss. If you're still "gleeful" about "The Cat in the Hat" or "The Foot Book" after reading it for the 43rd time to your kiddos, you deserve a medal. (You're also being fundamentally dishonest--there is nothing about "trigger warnings" in any of the articles around this Dr. Seuss controversy.)
Anyway, I guess this passion is what makes you a conservative. You see a habit of culture and conclude that, because it is habitual, it must be for the good--and beyond critique or {gasp!} improvement. It just is, and that's enough for you. This also means that critics of these habits must be apostates: How dare they have the thought, even, that Dr. Seuss books might evince racial preference, or indulge in racial/racist tropes? But what is so offensive about this line of questioning? Should people (like the cultural critics you resent so much) not have the thoughts they have and raise the questions they have? Should they simply never think or ask anything critical about older literature? When does a work get promoted from popular ephemera to cultural artifact? Who gets to decide when a work of art enters this pantheon of the unimpeachable?
For people who are not conservative like you, culture is dynamic, a matter of continuing assent. No cultural practice, however illustrious its pedigree, must be adopted by successive generations; no inheritance is too prodigious to question the origins of it; no cultural currency or capital, however visionary (like Seuss's best books), is guaranteed to provide meaningful returns in terms of meaning and enjoyment indefinitely. Why not refresh the canon? Why not poke at the "classics"? As others have said, nostalgia ("I read it when I was a kid!") or sheer affection ("But lots of people loved that book!") is not an sufficient defense of the canon.
Finally, please note that what these critics are largely saying is not that Seuss should be, as you might put it, "canceled"--just that his role in this national celebration of reading should be decentered. (Although works with references to "slant-eyed" Asian characters and with depictions of stereotypically "savage" African characters do seem to have been cancelled by the estate.) And if this decentering creates room for the recognition of other worthy books for early readers, this seems like a "win" for everyone.